Approximately three years in the past, the acclaimed Indian filmmaker S.S. Rajamouli—celebrated worldwide for his visionary storytelling and grand cinematic ambition—introduced audiences to *RRR*, an extraordinary action epic set in a meticulously crafted historical period. This film not only captured the imagination of Indian audiences but also transcended cultural and geographic boundaries to become a genuine global phenomenon, praised for its technical mastery, sweeping scale, and emotionally charged narrative. Now, following his monumental success and the momentum generated by his previous cinematic triumph *Baahubali*, released in October of the previous year, Rajamouli stands ready to unveil yet another magnum opus—his latest and most ambitious project to date, provisionally titled *Varanasi*. International audiences, however, will encounter it under alternate titles designed for global resonance, such as *Globetrotter* or *Timetrotter*, reflecting the film’s rich interplay of time and geography.
Unveiled amid considerable fanfare at an extravagant launch event in India, the film was introduced as a bold exploration of multiple eras and civilizations, weaving a narrative tapestry that spans an astonishing range of time periods—from 512 CE through 2027 and extending as far into the distant future as the year 7200. Set primarily in the sacred and ancient Indian city of Varanasi, the story’s scope expands to encompass far-flung locales across Africa and even the icy wilderness of Antarctica. The newly revealed trailer is nothing short of visually breathtaking: it traverses centuries and continents through a series of sweeping, panoramic shots that highlight both the diversity of its settings and the grandeur of its production design. Every frame vibrates with the cinematic ambition for which Rajamouli has become synonymous.
During the press presentation, Rajamouli shared that the film has been meticulously designed and filmed for IMAX exhibition—a decision that is vividly apparent in the extraordinary visual fidelity and sheer scale displayed in the trailer. The score swells with intensity while the imagery grows progressively more elaborate, underscoring the director’s mastery of rhythm, pacing, and spectacle. Although the trailer deliberately withholds detailed information regarding the film’s narrative, certain key story elements have been confirmed. The central protagonist, portrayed by celebrated actor Mahesh Babu, is Rudrha, a formidable warrior figure wielding a gleaming trident and charging fearlessly into combat upon a massive bull. His embodiment of raw power and mythic symbolism evokes ancient legend while grounding the character’s heroism in human resilience. Sharing the spotlight are Prithviraj Sukumaran as Kumbha and Priyanka Chopra as Mandikini, both of whom appear to inhabit the film’s contemporary timeline, in contrast to Rudrha’s placement in a more remote historical epoch. The juxtaposition of temporal settings hints at intricate narrative interconnections—perhaps moral, spiritual, or cultural—that bind the epochs together.
Audiences and critics alike can anticipate that *Varanasi* will reach theaters worldwide sometime in 2027, bringing with it Rajamouli’s trademark combination of mythic storytelling, visual opulence, and emotional potency. For viewers eager to remain informed about major cinematic developments, this announcement stands alongside other upcoming franchises and sagas that continue to define the evolving landscape of global film—whether in the ever-expanding universes of *Marvel*, *Star Wars*, *Star Trek*, or the rejuvenated *DC Universe* on both film and television. Those who follow long-running British science fiction epics such as *Doctor Who* will likewise find *Varanasi*’s time-spanning themes a thrilling addition to the conversation about where modern storytelling and cinematic imagination are headed next.
Sourse: https://gizmodo.com/behold-varanasi-the-next-movie-from-s-s-rajamouli-2000686433
